So it's been awhile, which I blame on work. I'll try to play catch-up, as I've been listening to a lot of very good stuff lately.
First up, we have Jill Cunniff's release, City Beach. I'm surprised it's taken her this long to release something -- when Luscious Jackson broke up after releasing their final album (Electric Honey) in 1999, they ostensibly did so to pursue solo projects. However, this is only the second such project (the other being keyboardist Vivian Trimble's Dusty Trails s/t album in 2000), and the first from either of the principle songwriters (Gabby Glaser's solo album is due out later this summer).
In the Cunniff/Glaser debate, I've always cast Cunniff in the role of Grant Hart and Glaser as Bob Mould. (Not good for Cunniff.) Luscious Jackson may not have been as prolific as the powerhouse Hüsker Dü duo, but they did put out two EP's (including the first ever release from the Beastie Boys label, Grand Royal) and three albums over a seven-year span. And some produced some excellent music - definitely one of my favorite all-time bands.
So now that I've heard City Beach... I'm changing my view on her role. Cunniff is a very talented songwriter, and it's pretty clear that a lot of what Luscious Jackson was all about was directly due to her. This album is very chill, very relaxed, a perfect summer album. And with a name like City Beach, one guesses is that what's she's after. I wish she hadn't waited eight years to make her first post-Luscious album, but it's worth the wait.
One question, then -- why the hell would you release a summer album in February? For a small release that will probably not be getting a lot (if any) radio play, this seems like a perfect example of what we call "lack of momentum."
In any case, the album is great. Some of the songs sound a lot like the lo- to mid-tempo indie rock/quasi funk/quasi dance groove that was Luscious Jackson ("Apartment 3" was probably written during the Luscious days; if I heard it out of context, I would have guessed it was on Fever In Fever Out). Others have an almost Brazilian bent that is totally distinct from that style. Her voice is extremely strong, and the music is well produced. As she says during "Warm Sound": "Let's start the century again/at a slower place." I'm not a guy who typically embraces the chill side of rock, but if it sounds like this, I'll take it. Highly highly recommended if you like music that doesn't suck.
CD Placement Rating: (If you've forgotten about the ratings, they're explained in the right-hand column.) This one went directly into the car CD changer. The high moments (like the ramp up on "Eye Candy") play great as "album flow" songs, but don't necessarily pack the same punch (or stand up) as singles.
Merch Rating: I will buy her next album pre-reviews, and probably anything else she puts her hands on as well. If she toured with a band, I'd go the show and buy a t-shirt and any additional music merch they had there. I probably would not see her solo acoustic (which is how she has been touring), as I don't see how this would hold up in that format.