Showing posts with label Failure. Show all posts
Showing posts with label Failure. Show all posts

Monday, March 16, 2015

It's a Roundup!

Yes indeed folks -- we call these the Barry R. Memorial posts, as they are bunch of a bunch of his favorite type of music reviews:  historical ones.  These are all grouped into one handy bundle, looking back across the last 50 years of music, minus the most recent two to three years.  This is what you get for free, Barry!

So, while listening to 2013, 2014, and 2015 music (for these end of year reviews), I still managed to find time to sneak in these albums (as well as the reviews that will be appearing in the coming days).

In alphabetical order:
  • Abraham, Inc. - Tweet Tweet (2009).  As mentioned here, I had a bunch of reviews lost in one terrible blogging accident.  This was one of the casualties -- I think this is the third time I've tried to review the album (sorry for the wait, Ryan).  Despite the blog PTSD, I will bravely forge ahead.  A "collective" album with eclectic mix of lead vocalists, this jazz-rock-electronic-hiphop amalgamation is (on paper) something that is destined for either absolute greatness or total failure.  In this case, it's brilliant.  They even throw in a little organ fill ala The Roots on "Trombonik."  (As an aside, fans of The Roots will LOVE this.) As such a fusion would suggest, it's not just a single note:  it's challenging yet still accessible, edgy while remaining poppy.  They do not spare their uncompromising lyrical attitude, and yet they still seem mostly based in pop.  CD Placement Rating:  Car iPod.
  • Aldo Nova - A Portrait of Aldo Nova (1991).  It was so cheap, I had to give this a shot, even though my snarky first thought on seeing this greatest hits compilation was that it should be a one-song single.  Sometimes I hate being right.  CD Placement Rating:  I already owned "Fantasy," so Pile of Death.
  • Arcwelder - Entropy (1996).  This Minneapolis grunge or post-grunge band is very decent but not spectacular.  It may be more your cup of tea as opposed to mine.  But the highlights ("Snake Oil," "I Promise Not to be an Asshole") are great, groove-filled jams.  CD Placement Rating:  CD Rack.
  • The Automatic - This is a Fix (2008).  This took me years to track down as an import.  It's more solid overall that their debut, but lacks the top-end punch (and the over-the top voice of Alex Pennie) from that album.  Nice across the board without any real standout songs.  CD Placement Rating:  CD Rack.
  • Bad Religion - Stranger than Fiction (1994).  Bubba convinced me to give this album a shot after previous failed attempts to get into this band.  Initially, I thought this album fell into the usual complaint I have with Bad Religion albums:  a few great song, but an uneven album.  A listen in the headphones revealed something different; this is finally a BR album I can get behind.  Very solid from front to back, with many individual song highlights to boot.  CD Placement Rating:  Portable CD Case.
  • Golden Earring - Bloody Buccaneers (1994).  Long-time readers will recall my fondness for this band, and for some odd reason I decided to take one more bite of the apple.  Bottom line, like all the other Golden Earring offerings, it's just not as good as The Hole.  I'm beginning to think that The Hole was a brilliant one-off, and while the other albums have bits and pieces of greatness, none are whole-cloth strong offerings.  This one is okay.  It's my last foray into this band, unless I find Cut (the one with "Twilight Zone"), which has remained surprisingly elusive. CD Placement Rating:  I'll keep "Temporary Madness," "Planet Blue," "Pourin' My Heart Out Again," and "In a Bad Mood." Sell-back Pile 1.
  • The Delusions - I Hope It Dies on a Sunny Day (1998).  My obsessive interest in this band remains a mystery even to me.  They were a solid opener for Built to Spill over a few years of live shows, with occasional moments of perfection; they were always on the verge of something sublime, but eventually fell just slightly short.  This is very decent, but has a low ceiling, which probably is "Disabled at the Beach."  Like, not love.  I think we can only be friends, but I think you'll make someone very happy.  Someone else, that is.  CD Placement Rating:  CD Rack.
  • Failure - Tree of Stars EP (2014).  While not the biggest or the most influential release of the year, this was (for me at least) the most important release of 2014.  Why?  Because after the four live tracks, one of my all-time favorite bands created its first new song together in 15+ years... which also means they will be recording a new album!  The live tracks are decent, the new song is okay, but that doesn't matter:  I'll always associate this EP with that joy of Failure's return, so it will always put me back to that moment of happiness.  I'll keep it forever.  CD Placement Rating:  CD Rack.
  • Ladyfinger (ne) - Dusk (2009).  This is actually one of the toughest albums I've ever had to review.  I've picked it up and put it down a number of times over the last six years.  I've found that when I listen to this album for the first time in a while, I really like it.  But after a second or third listen I get "listening fatigue" -- it's like the music wears off.  Very odd.  The elements were all there, but something was killing long-term enjoyment here for me.  A final review (loud, with some really good headphones) revealed the very good, possibly great album I'd heard hints of before.  No fatigue this time; they even remind me of a heavier Les Savy Fav (particularly vocally and lyrically) at points.  So I'll move it back up from Sell-back 1.  CD Placement Rating:  I guess it has to be Portable CD Case.  No matter what, "A.D.D." and "Little Things" hold up over time.
  • Social Distortion - Live at the Roxy (1998).  Captured in 1996 from the White Light, White Heat, White Trash tour, this is a great snapshot of a live band on top of their game.  Oddly, it holds together better as an album:  it's a total blur in its entirety, but the individual tracks don't really stand out on their own.  It's punk rockabilly at its best, an onslaught that just keeps coming.  Best listened to prior to fighting local toughs, or when caffeine is needed but not readily available.  The only downsides are the odd beginning and end, and the occasional misogynistic comments from frontman Mike Ness.  The liner notes are fantastic.  CD Placement Rating:  Car iPod.
  • Tears for Fears - Shout:  The Very Best of Tears for Fears (2001).  Reputed to be the "best" of the TFF compilations, Moira got this one for me and it has not let me down.  Even better in the headphones; all the hits are here.  Getting the US Remix of "Mother's Talk" is the key, although any excuse I have to listen to "Shout" is worth the time.  They were/are soooo good!  Only complaint with this is there is too much non-Curt Smith TFF, but even those songs are decent at worst.  CD Placement Rating:  Portable CD Case.
    • Tesla - Into the Now (2003).  That Metal Show strikes again.  TC got me into these guys back in the day (I still can't listen to Mechanical Resonance and not think of Die Hard, the No-girlfriendo, and Walpole, MA) and I've always found them to be a cut above most of the hair bands of the era.  I saw Frank Hannon on TMS -- and he gave an amazing performance.  They mentioned a comeback album, and I was suckered in.  From the first track ("Into the Now"), it's classic Tesla; if you told me "What a Shame" or "Recognize" was a b-side from 1988, I'd buy it.  It's bluesy classic rock meets indie garage rock.  (With some record scratching thrown in, which is odd but somehow not out of place.)  Sure, it tails off a bit after the first four songs, but, In general, this album is simply ridiculously infectious.  CD Placement Rating:  Car iPod.
      • Van Halen - The Best of Both Worlds (2004).  If you're going to own a Best of Van Halen album, I'd recommend this with one caveat to the producers of this album:  you cannot include "(Oh) Pretty Woman" without "Intruder."  No exceptions.  (Having a Sammy Hagar-fronted live versions of "Ain't Talkin' 'Bout Love," "Panama," and "Jump" are lesser offenses, but mistakes nonetheless.)  Otherwise, this is a fun 2-CD set, only needed for those who own Van Halen I and nothing else.  (Like yours truly.  Okay, maybe I own Diver Down as well.)  CD Placement Rating:  CD Rack.  But a great, entertaining couple of discs for a drive.
      - Snilch

      Friday, September 05, 2008

      Compilation Roundup

      I have been listening to a ton of music lately, but all towards the end of my newest editions of the $15 Song CD's, which I will explain further someday. If you weren't convinced of my total insanity before that... well, suffice it to say that this will be the tiebreaker.

      Instead, today we'll discuss compilations. As mentioned here, I've come up with a rating system just for compilations/greatest hits fare, which I have intended as transparent and merciless. As a reminder, the idea is that you want to be high on the casual fan rating scale and low on the hardcore fan ripoff factor. In lazy, non-alphabetical order:

      • Asia - The Very Best of Asia: Heat of the Moment (1982-1990) (2000 - 1 CD). Yes, this is how I've decided to start this mess. Asia sounds better in retrospective than it did back in the day, which will not save it from Sell-Back Pile 1. I am struck at how much Steve Howe's guitar sound from early Asia (1982) mimics the sound he was using for the Yes album Drama (1980), or how much their later songs tonally echo Trevor Rabin's sound (his replacement in Yes). Can't argue with "Heat of the Moment" or "The Heat Goes On"; the rest is best left to the radio.
        Verdict: Sell-back Pile 1.
        Compilation rating: Moderate. For the casual fan, this is great. For the hardcore fan,
        allmusic.com says "For diehards, it's essential for the three rare B-sides 'Daylight,' 'Lying to Yourself,' and 'Ride Easy' and the detailed liner notes," but that seems like a stretch. And those songs are not that good. I'd say this is a moderate ripoff for those fans.

      • Superchunk - Tossing Seeds: Singles 1989-91 (1991 - 1 CD). This is absolutely great. For the casual fan or the hardcore collector, this collection is not only full of great material, but collects all of their early 7" singles into one package. If you're not into Superchunk (like I wasn't), this is the perfect place to start.
        Verdict: Portable CD Case.
        Compilation rating: Very high. High marks for the casual fan, low marks as a ripoff since it's a great album on its own. Everyone wins.
      • Failure - Essentials (2006 - 2 CDs). This is great because you do get most of the highlights from Failure's brief but significant three album career; for the hardcore fan, you get a lot of unreleased demos and outtakes. This is not so great because they released a whole bunch of other demos and outtakes in 2004 in the DVD/CD compilation Golden. Methinks this is the end of the line for any material they have in the closet... or maybe we'll see yet another compilation in the next two years. Please stop now.
        Verdict: CD Rack.
        Compilation rating: Moderate to high. Great for the casual fan, and nice for the completist. But a lot to buy for the latter.
      • Idlewild - Scottish Fiction: The Best of 1997-2007 (2007 - 1 CD). Oddity #1: They released an original album (which is still in Car CD Changer, Make Another World) as well as this compilation in 2007. Oddity #2: Some of the tracks on the compilation are from that album (which seems to be a bit recent to include, no?). Oddity #3: They are still together and touring. Oddity #4: They are currently working on a new album. I bought this so I could get familiar with their back catalog, but this really is a total ripoff for loyal fans. It's a decent album, but totally a cash cow at this point in their career.
        Verdict: Portable CD Case.
        Compilation rating: Low. Okay for casual fans but a definite gouge for hardcore fans.
      • Young Marble Giants - Colossal Youth (2007 - 3 CDs). If you have never heard this album, you are not alone, but you are missing out on the finest piece of minimalist post-punk you will likely ever hear. Much like My Bloody Valentine's Loveless, this album is something you listen to and wonder how it ever came together -- and yes, I am comfortable in comparing this album to MBV's absolute classic, which says it all. This set is basically everything they ever recorded -- their 1979 album (Colossal Youth), their 1982 EP (Testcard), the entire demos album that was released a few years ago (Salad Days), and even their John Peel Session from 1980. Plus, the remastering for this album really brings out the full sound of the albums, which I find to be exception rather than the rule. Finally, the extensive liner notes tell the whole band story. I'd put this in the "must-have" category, and you might as well get this compilation and own it all. It is worth it and a real slice of history.
        Verdict: A Car Changer CD comp that goes into the Portable CD Case only because of its style.
        Compilation rating: It's got to be high; even if you own their other stuff (like I do), it's great to have it all in one place and remastered, and the casual fan gets everything they ever recorded. High casual fan rating, low hardcore fan ripoff factor.
      • James - The Best of (1998 - 1 CD). Long considered a poor-man's version of The Smiths, James has some great songs and features the distinctive voice of Tim Booth. Known primarily for the songs "Sit Down" and "Born of Frustration," this compilation is exactly what I want out of this group -- all the hits and some quirky surprises. It's a nice summary and all I really need.Verdict: Portable CD Case.
        Compilation rating: Probably high.
      • Even as We Speak - A Three Minute Song Is One Minute Too Long/The Singles 1986 to 1990 (2005 - 1 CD). Category: best compilation title. Winner: Even as We Speak. This obscure Australian pop band really reflects the 60's, and what I'd consider "Australian pop," even though I'm not quite sure what that is. (And that's not INXS, which is more British or American in its sensibilities.) But like pornography, I can't define it but I know it when I see (er, hear) it; now that I think about it, I've always associated the quaint sound of The Moles/Richard Davies as "Australian pop," and this is definitely in that vein. This is a nice piece of history that shouldn't just go away.Verdict: Portable CD Case.
        Compilation rating: High. This combines a bunch of long out-of print vinyl singles onto CD for the first time. As a first-time listener, this is a great summation of the band as well.
      • Snuff - Six of One, Half a Dozen of the Other (2005 - 2 CD's). Thanks to the late, great, Lance Hahn, I checked these guys out. Much like the Failure compilation, it's got "greatest hits" on disc 1 and rarities, demos, etc., on disc 2. They've got a great sound from that grunge era and their original tunes are solid but not spectacular, but still definitely worth listening to. It's actually disc 2 that makes this so much fun -- I am a sucker for covers, and these guys have it in spades. "I Think We're Alone Now," "Don't Fear the Reaper," "I Can See Clearly Now," "I Will Survive," and "Hokey Cokey" (oh yes -- the Hokey Pokey meets punk!) highlight the surprisingly solid 2nd piece of the puzzle. A lot of fun, ala The Nomads.
        Verdict: Portable CD Case.
        Compilation rating: High. High on the casual fan index, low on the ripoff factor.
      • Swervedriver - Juggernaut Rides '89-'98 (2005 - 2 CD's). This is one of those rare compilations where I really don't distinguish between the individual songs, but the blur is a really pleasant ride. The one song that really jumped out at me was "Planes Over the Skyline," which is a nice song. But when I mis-heard the lyrics as "Flames Over the Skyline" -- now that was epic. Too bad. "Never Lose That Feeling" and "Son of a Mustang Ford" highlight Disc One; Disc Two contains four unrerleased tracks, but there seems to be no rhyme or reason (and certainly no chronological order) to what went where. But someone had some sense of how to put this all together in a sensible musical order, because in the end it does work as a unified piece. Overall, I'm extremely happy with it, but would probably be pissed if I owned all of their albums and had to buy a two-disc set to get four songs. Think melodic grunge that's very cleanly produced. To be honest, I probably need more time with this one - my opinion nmght be different in two years, for better or worse. I'm guessing better.Verdict: Portable CD Case.
        Compilation rating: Low to moderate. For casual fans or the ultra-completist.
      - Snilch