Les Savy Fav is an interesting indie rock group. In many ways, their early career paralleled that of Modest Mouse: moments of brilliance on inconsistent albums before finally reaching their LP breakthrough. For Modest Mouse, it was The Moon and Antarctica; for LSV, it was the singles compilation Inches.
The path following these albums, though, was very different. Modest Mouse immediately tailed off. Their follow-ups, the EP Everywhere and His Nasty Parlor Tricks (Pile of Death/The Peaches Pile) and the LP Good News for People Who Love Bad News (CD Rack) coincided with a move to a major label, and a much more safe approach. They're no longer even on my radar.
Les Savy Fav, on the other hand, stormed back with their two most consistent albums: 2007's Let's Stay Friends (Car CD Changer) and this album, Root for Ruin. The opening track ("Appetites") is in the vein of their best song (IMHO), "We'll Make a Lover of You" (and if you don't know this one, you need to check it out): starting slightly off time, the song musically fills out as the song progresses. And much like "WMALOY," there's a major change over halfway in that reveals the most interesting part of the song. ("Lips N' Stuff" does this one better, waiting for 3 minutes of the 3:48 song to reveal itself. Great stuff.)
But that's not the only trick up their sleeve. "Dirty Nails" has a great sustained groove for the entire song. And "High and Unhinged" has a classic pop structure: Verse p1, Verse p 2, Refrain p1, Refrain p2, lather, rinse, repeat. This may not be the best song on the album, but it's my favorite.
Throughout the album, the guitar playing is spot on. It's not jammy, but is right on for each song, well placed and well thought out. They've taken the step Modest Mouse couldn't: they've been able to apply consistency to their music without losing their edge.
Also, this album is great both lo-fi and hi-fi; it works great in the car, but a headphones listen reveals the subtleties of the album.
However... there are some issues with Root for Ruin. The sounds are great, but sometimes the wrong ones take center stage. On "Dear Crutches," for example, the guitars that support the overall melody starting at about 3 minutes in are the best part of the song; they get lost in the morass of everything else. I really would love to hear this guitar brought out and given a more plaintive treatment, like The Delusions' "Nobody," Longwave's "Ghosts Around You" or "Wake Me When It's Over," Built to Spill's "The Weather," Sand Rubies' "Never," Failure's "Stuck on You"... and actually Les Savy Fav's "False Starts." (The perfect reference for this is actually Scott Bishop's "Perfect Mistakes," but none of you have heard this song except for Margo and Mrs. Snilch Report.)
Also, a great album has a great closer. For example: My Bloody Valentine's Loveless - "Soon." Bob Mould's Workbook - "Whichever Way the Wind Blows." Weird Al Yankovic's Polka Party! - "Christmas at Ground Zero." All of these put a period on the end of the sentence, and I'm simply not sold on "Clear Spirits" doing this.
In the end, these are nitpicks on another great Les Savy Fav album. They make you think lyrically, and they're great musically, with the layered guitars lockstep with a smart rhythm section. They are insistent, entertaining, and amusing, retaining the exuberance of youth without sacrificing the wisdom of experience.
iTunes recommendations: I'd recommend every single song I mentioned in this blog, with the possible exception of "Dear Crutches," for obvious reasons. The reference songs are all tremendous.
Merch rating: I'll see them when they come to town next time, as long as it's not on a Sunday. I'll definitely grab a t-shirt and any albums I don't have.
CD Placement rating: Portable CD Case. But this album continues to grow on me.
- Snilch
This is a bit off the beaten path, but today's lesson is in history, as told to us by the bards. You have to love it when our musicians try to teach us about the Merrimac and the Monitor, Amelia Earhart, or why Kenny G sucks. Plus, we all know history students don't have any practical use for their majors, so this will make them feel like their education wasn't a complete waste.
Honorable mentions: there are too many to include here. (Seriously, I had 27 songs that did not make the cut. I started to list them all out, but that made this interminably long post twice as long.)
Here are my favorites. ("Favorites" being defined as what I wrote down/found in my music collection in the last week since I came up with this idea. Very scientific.)
- Tesla - "Edison's Medicine." (1991) The band named themselves after Nikita Tesla for some reason; it seemed like just a cool band name from an 80's metal act until their 1991 release. Lyrics addressed to Edison such as "My jury finds you'll be doing time/When you go straight to hell" make it clear that the band is surprisingly passionate about their namesake. Historical lesson: 1) "They'll sell you on Marconi/Familiar but a phony." 2) Nikita Tesla: "(They) thought you was crazy/You was one of a kind...All along, world was wrong. You was right." 3) Band Tesla: they give a pretty good historical diss. Yes, they clearly skipped grammar in school (or as they call it, "twelve years of hard time"), but they did not skip the School of Hard Rawk.
- Caroline's Spine - "Sullivan." (1997) This song tells the story of the five Sullivan brothers, who enlisted in the Navy in 1942 on the condition that they all serve together. The Navy complied, putting them all on the USS Juneau. It did not end well; in the battle of Guadalcanal, their ship sank and all five brothers were killed. This led directly to the policy that separates family members in the military and protects sole family survivors from service. Historical lesson: the song tells the story of the family tragedy eloquently, and I learned that "turning your blue star to gold" meant that your child had passed away. It's a well-told story with the emotional component intact.
- Morrissey - "Irish Blood, English Heart." (2004) Now, I could have picked about twelve different Morrissey solo or Smiths songs, but I'm partial to this one. It's both personally and historically reflective. Describing his "Irish blood, English heart" immediately announces his heritage and nationality; singing "I've been dreaming of a time when/To be English is not to be baneful/To be standing by the flag not feeling shameful, racist or partial" announces that he won't be accepting it all with a blind eye. It's Morrissey at his best: both literate and indignant. He acknowledges his context while presenting his bonafides, then delivers the barbed, pointed conclusion. Historical lesson: "I've been been dreaming of a time when/The English/Are sick to death of Labour/And Tories/And spit upon the name Oliver Cromwell/And denounce this royal line that still salutes him/And will salute him forever." Well, that about sums it up.
- Les Savy Fav - "The Year Before the Year 2000." (2007) This speaks to some recent history; as you might imagine, they're a bit condescending towards the "sky is falling" crowd. "If you fear, my dear, the end is near/Please do check your frontal hemisphere." Well said. Historical lesson: after the obligatory "I told you so" about Y2K, Les Savy Fav draws an interesting conclusion: there's something that was great about thinking the world was about to end, and something very disconcerting about the seemingly endless vista of time in front of us. "Everybody, please keep trying/Trying to party like it's 1999/Even though we've got so much time/We gotta spend it like it's 1999." Didn't think it was going that way, did you? Very well done, fellas.
- Paul Hardcastle - "19." (1985) Classic. Summary: "In World War II the average age of the combat soldier was 26/In Vietnam he was 19." This song has a lot facts and figures, lots of different voices, and a beat you can dance to, all about that little conflict in Vietnam. Some will tell you their favorite line was the vet saying, "I wasn't really sure what was going on"; I've always been partial to the female chorus: "All those who remember the war/They won't forget what they've seen/Destruction of men in their prime/Whose average age was 19." It takes a lot of guts to try and pull off the "average age" line when: 1) you're carrying the only true singing part in the song; 2) you're trying to state a fact -- musically; and 3) you're trying to make this sound as if people are walking around actually talking like this. (It's part of the song's charm.) Historical lesson: none of them received a hero's welcome.
- Culture Club – "I’ll Tumble 4 Ya." (1982) Just checking to see if you’re still reading.
- Richard Thompson - "Alexander Graham Bell." (2003) I learned that Bell had 50 inventions other than the telephone – including x-rays, faxes, and respirators. And that he laid the groundwork for television. Historical lesson: “Edison was a thief, Tesla nuts beyond belief.” (Edison takes it on the chin quite a bit, doesn't he?) You'll learn a lot in 3 minutes and 23 seconds - it's literate, clever, and informative. (Thompson has a ton of such songs, including “My Daddy Was a Mummy,” "The Story of Hamlet," and “Madonna’s Wedding.” “Dad’s Gonna Kill Me,” a reference to Bagdad, is a future history lesson. On a completely unrelated note, here's Thompson covering "Oops! I Did It Again.")
- U2 - "Sunday Bloody Sunday." (1983) A description of the Troubles in Northern Ireland, focusing on the Bloody Sunday incident in Derry. British troops shot and killed unarmed civil rights protesters and bystanders; Bono got righteous. Historical lesson: war sucks, we would prefer to not have it happen again. Thank you for your consideration. I'll wave a white flag and yell "No More War!" now.
- Anthemic Pop Wonder - "How Great Was Hüsker Dü!" (2002) The answer: pretty damn good. Historical lesson: underappreciated.
- Nerf Herder - "Mr. Spock." (2002) This not only vividly describes nerd romantic frustration by using science fiction (which is like trying to teach a dog to do tricks with trigonometry), but also completely summarizes the Star Trek episode "Arena" in the lyrics. There's a bit about destroying robots as well. Sci fi geeks will play this for their uncomprehending partners, most of whom are undoubtedly blissfully unaware that said geek considers them a "partner" in the first place. Historical lesson: you don't want a boyfriend. What you want is Mr. Spock. (See the song here; make sure you play it at 240p.)
- Night Ranger - "Sister Christian." (1984) With its obscurely plausible religious overtones, this song is quite the mystery, especially when delivered by a band that is used to singing songs about drinkin', rockin', and datin'. Was this "Sister Christian" a nun? Some historical figure? Or should we focus on "Christian" -- does her religious choice matter? Could it be Sister Buddhist? Sister Hindu? Sister Agnostic? Alas... the truth is ultimately far less interesting. The song was originally called "Sister Christy" and written about the drummer's sister. Huh. Well, that sucks. Historical lesson: much like the Black Eyed Peas (whose "Let's Get Retarded" anthem about drinking was changed by an ad agency to the "Let's Get It Started" anthem about car commercials), the truth hurts. Lesson learned: try not to read too much into Night Ranger's lyrics.
- Gang of Four - "History's Bunk!" The message here: “There are no lessons in the past.” They're smarter than I am, so I guess we'll leave it at that. Historical lesson: you say there are no lessons in the past, but if this is a lesson learned from the past, then you did learn it, but you could not have learned this truth except from the past... illogical! Illogical! Please explain! You are human; only humans can explain! Illogical! (Head explodes. This is a basic summary of the Star Trek episode "I, Mudd.")
- Snilch
