Post #100

Are we doing anything special for post #100?  Absolutely not. 


Instead, these albums were supposed to be reviewed in 2010 but somehow I never got around to it. So now I am.  

• Bad Religion - All Ages (1995).  This is one of those bands I can't get into as a whole, but they have moments of complete, transcendent political punk rawk brilliance.  Matz would hate this review, but I doubt he reads this thing (although Tommy might give him the heads up).  It has been claimed that this is the best of their first six albums; if so, I'm thankful I never bought any of them.  Quite simply, this album pisses me off because I really want it to be great, and it's just not.  Even "The Answer" slogs in comparison to the brilliant live version that came on the bonus disc of Recipe for Hate.  It's not Peaches-level terrible, but there is simply nothing remarkable or memorable about this album in the least, with the exception of "Generator" and "Faith Alone."  
  Verdict:  It angers me further that I can't even get the satisfaction of throwing this coaster into the Pile of Death because of two songs.  The final affront to me:  Sell-back Pile 1.

• John Cale - Black Acetate (2005).  Most musicians start as aggressive and noisy, and slowly mellow over time.  Velvet Underground co-founder John Cale is one of two notable artists (Richard Thompson being the other) who have gone in the opposite direction.  (One note:  you need to listen to this album loudly, and in order, for this review to make sense.)  This album is quirky:  it starts out as a little experimental and warbling, and rolls along a smart, cool, light guitar/electronic ambient groove. You're getting ready for your warm milk and bunny slippers after seven songs; Cale is in the pocket and it's just thoroughly pleasant.  Song 8 ("Perfect") starts in the same vein... and then Cale launches the album into rock.  It's jarring; in context of the album it is a lawnmower being dropped into a field of bunnies.  And then the second phase of the album begins -- he has your attention front and center now.  "Sold Motel" -- solid rock now, no muss, no fuss.  "Woman" -- he lulls you in with a quirky, soft open, as if returning to the ambient portion of the album, then brings back the jackhammer and starts bellowing again.  It's like a moth that's now been drawn to a flame:  the lilty electronics are still there, but he cannot escape drowning it in electric guitar.  By the time the second last track ("Turn the Lights On") plays, you find yourself out on the sidewalk, yelling Gealic curses at random passers-by.  "Mailman" mercifully ends the onslaught with a slow, jangly dirge to end the album.  And, somehow, the whole damn thing works together.  Out of context, is this the rockiest album ever?  Absolutely not -- it's low to mid tempo -- but in context it's pretty heavy and inexorable.  Wash the dishes on the first listen and see what I mean.  
  Verdict:  Where'd that truck come from?  Car CD Changer.

• Editors - The Back Room (2006).   Eric Lax got me into these guys in 2009, so I went backwards to this album.  It's great from the very beginning.  Think dreamy pop meets Joy Division, essentially, with guitar delay/echo effects.  Lyrics:  "Lights" -- "If fortune favors the brave/I am as poor as they come"; "Munich" -- "People are fragile things/you should know by now/Be careful what you put them through"; and "Blood" -- "Blood runs through your veins/That's where our similarities end."  This album is worth it for "Munich" and "Blood" alone, but it's so much better than just that. 
  Verdict:  Car CD Changer.
  
  
• King Crimson - Discipline (1981).  A cult legend, Discipline is the album equivalent of a couple of famous song makeovers in the early 80's:  Golden Earring producing "Twilight Zone" in 1982 (eight years after "Radar Love") and Yes creating "Owner of a Lonely Heart" (nine years after "Roundabout").  In King Crimson's case, this album was twelve years after their opus In the Court of the Crimson King.  It also starts the industrial meets prog rock focus for Crimson over the next 15 years (through four albums).  Why it's revered:  it's a complete re-start of the band, plus technically Fripp's guitar playing is simply masterful.  Why it doesn't hold up against 1982's Beat or 1984's Three of a Perfect Pair:  it's not as cohesive a storyline.  So while Discipline may still be more historically relevant to fans who heard it in 1981, when it was completely out of left field (say, like The Beatles' Sgt. Pepper's Lonely Hearts Club Band), I'll still go back an listen to Three of a a Perfect Pair first because it holds up better as an album over time (like The Beatles' Abbey Road or the good half of The White Album).  In other words:  still an excellent album, but they improved as time went along.
  Verdict:  Portable CD Case.

• Pax Nicholas and the Nettey Family - Na Teef Know the Road of Teef (1973).  It's really tough to confuse Boston, MA, with Paris, France, but Amazon managed to do so. I'm sure they straightened this out for the world music fan in France who was supposed to get it, but in the meantime Amazon told me, "Just keep it."  I see why now.  I exaggerate, as it's not terrible; just not my cup of tea.  
  Verdict:  Pile of Death.

• The Sheila Divine - Where Have My Countrymen Gone (2001). Moira and Kevin turned me on to these guys a few years back, this was their second album.  I'd say "final," except that they released an EP in 2002, and will be releasing a new album this year (the first video from it is here).  This album is a well produced, smart, generally laid-back exercise in indie rock; one great song ("Ostrich"), plenty of very good ones, and overall not a dud in the bunch.  Definitely something I'll be listening to again soon.
  Verdict:  Portable CD Case.

• Social Distortion - Mainliner:  Wreckage from the Past  (1981, 1995). Social D's answer to All Ages.  It's better than that, but is really for Social Distortion completists only who want to hear the band in its infancy, or what their cover of "Under My Thumb" sounded like 15 years before they put it on a proper album.  It's not as raw as you'd expect, which means the lack of polish is less forgivable.
  Verdict:  CD Rack.  

• Sun Dial - Libertine (1993).  I'm not sure whether I love this band or not, but I certainly own a lot of music from them.  They're mostly psychedelic rock, except when they're not.  They're both prolific and obscure (at least in the U.S.).  And they're the proud owner of one of the all-time great psychedelic albums, Other Way Out.  This is yet another great album by these guys:  a variety of sounds, capturing "their" sound without being completely repetitive.  That being said, this album requires patience -- it does not immediately open up on the first listen.  It's actually the third post I've pushed this review back to, as I kept coming up inconclusive.  It's smart and well-thought out, well-placed sounds throughout.  I think I like it.  Maybe a few more listens....
  Verdict:  Portable CD Case. 

- Snilch (now known as "Snilch 100")

What I've Been Listening to Lately

Besides all of the other albums I've been reviewing... here are a few more I've been listening to lately:

• Against Me! - Searching for a Former Clarity (2005). The Against Me! scoreboard stands at 1 up, 1 down. This was clearly another win from the start, insisting through all of the other clutter in my life and grabbing my attention. They scream intelligently, telling stories of despair, longing, loss, and addiction that ring true. Next album will be a must-buy; they are the new punks.
  CD Placement rating: Car CD Changer.
  
• The Big Sleep - Son of the Tiger (2006). This is not quite as good as 2008's Sleep Forever, but it's damn impressive. Sprawling mid-to-lo tempo indie rock, with a soothing, pleasant tone that somehow drives all the way through the album. Me likee.
  CD Placement rating: Portable CD Case.
  
• John Cale - Hobo Sapiens (2003). Having seen former Velvet Underground founder John Cale rocking out on Later...with Jools Holland, I went in search of the song I saw him play. I bought two albums; this is the first. He has definitely transitioned to a smoother, pop pock-ish sound on this album, which is quite a departure for him. It's quiet, but still quirky, and a great listen. He's really an underrated solo artist.
  CD Placement Rating: Portable CD Case.
  
• Dropkick Murphys - The Warrior's Code (2005). Boston hardcore punk/Celtic icons, immortalized by the movie The Departed, is some people's cup of tea... not mine. This is a decent album, but at some point it all just runs together.
  CD Placement rating: Sell-back Pile 1.
  
• Shelby Lynne - Love, Shelby (2001). Andrew has been pushing me towards Lynne's work; Part 1 was successful, so I decided to follow along on Part 2. She's ridiculously poppy (normally not a good thing), but in this case it really works. Lots of parental references and religious themes -- you can't help but think of Shelby at age 17, in her driveway, watching as her alcoholic father shot her mother dead, and then turned the gun on himself; the haunting cover of "Mother" makes your skin crawl. There's real depth here in all of the songs, and her voice is absolutely tremendous.
  CD Placement rating: Portable CD Case.
  
• Pseudo Echo - Long Plays 83-87 (1990). Most of you have more self-respect than to admit to buying this, but apparently I have no shame. It was $2.99, I had fond fuzzy memories of their sound... sigh. What a disaster.
  CD Placement rating: Even "Funky Town" failed to hold up. Pile of Death. Sigh.
  
• The Sheila Divine - New Parade (1999). Despite living in Boston for more than ten years, my first exposure to this Boston band was with Moira and Kevin... in Ohio. They've long since broken up (The Shelila Divine, not Moira and Kevin), but this album is undeniable for a few unbelievable tracks, a bunch of good ones, and a few yawners. Overall, I'm guessing it's their best album.
  CD Placement rating: Portable CD Case.
  
• David Shire - The Hindenburg Original Soundtrack (1975). My friend and soundtrack junkie Brian presented me with an irresistible paradox here: a long-lost, all-time great soundtrack by one of his favorite composers, buried and virtually impossible to find. (It's easier now, although the latest release is still limited to 3,000 copies.) Soundtracks are not my thing, but Brian did not steer me wrong here. I wish I had the musical vocabulary and background to say something intelligent about this... but honestly, I don't. I can say that it was a great listen; the spoken word portions of the soundtrack really added to the overall experience. Very cool stuff.
  CD Placement rating: Portable CD Case.
  

- Snilch

Year-End Roundup, Part 2

Our year-end cleanup, part deux.

• Against Me! - Reinventing Axl Rose (2002). As indicated here, I did in fact decide to look at Against Me!'s back catalog; when I saw this title I knew that was the one to try. "Pints of Guinness Make You Strong" was a good start, but the rest is a bit raw; this experience dictates that I won't venture back into the rest of their catalog but will continue with them forward.
  Verdict: Not recommended. Sell-back Pile 1.
  
  
• John Cale - Close Watch: An Introduction to John Cale (1999). After seeing him perform on Later with Jules Holland, I was intrigued. This album was less rock-oriented than the live effort, but nevertheless enjoyable. Think David Byrne meets Pink Floyd and Discipline-era King Crimson, with a dash of Arcade Fire and The Alan Parsons Project. Very sparse, very cool, sophisticated, and jazzy; at times the music is almost pristine, and at others it's very rough. I'll need a lot more time with this one -- it's complicated.
  Verdict: Highly recommended. Portable CD Case. Great for the casual fan; for the hardcore fan, it's not worth the money.
  
  
• Faunts - High Expectations, Low Results (2005). An aptly named album. After hearing the 2007 epic track "M4 (Part II)," I went back and found this album. I had high expectations. I experienced low results.
  Verdict: Not recommended. Pile of Death.
  
  
• Haircut 100 - Pelican Brief (1982). I had never really had these guys on my radar until I saw their reunion as part of VH1's Bands Reunited (a canceled show that I am still obsessed with). Any band that can take the stage for the first time in 20+ years and make it sound like they had been playing together all along gets at least a listen from me. This album is so poppy it almost makes me sick listening to it. Yet... I find it really compelling. There's definitely something cool happening here. So, despite their terrible videos and occasional "teeny-bop" moments, I have to conclude that this album is excellent, fun pop that is well-produced; their songwriting and musicianship is too good to dismiss. It's too bad lead singer Nick Heyward had a nervous breakdown after the first album and this is their only group effort with him; there are solid foundations here that indicate this group could have gone on to do something great.
  Verdict: Highly recommended for a trip down cultural memory lane. Portable CD Case.
  
  
• The Moonbabies - At the Ballroom (2007). I love The Moonbabies sound -- a little retro, a little ultra-modern, with great harmonies. The one problem I have with them is that they have dragged out the song "War on Sound" (granted, a fantastic song) around for three years, as its appeared on at least there (!) official releases. They have other strong songs as well, and this album is great; time to find another cow to milk, though.
  Verdict: Highly recommended. Portable CD Case.
  
  
• The Outfield - Any Time Now (2006). After the commercial blockbuster Play Deep in 1985, The Outfield actually released five more albums from 1986-1999; I still feel 1986's Bangin' was the only album of theirs worth owning (including Play Deep). This one, written over a four year period, is the second. It sounds like they wrote it in 1987 -- no surprises musically, although the subject matter (which is more political and religious than their early material) is a bit more mature. There are even a few excellent tunes here (like "No Fear"). They have no pretense of changing their formula, which is fine by me. The second half drags a bit, but it's a nice listen overall.
  Verdict: Recommended. CD Rack.

- Snilch